If a $160 scanner can mean that my darkroom trash can only fills up half as fast as it normally does, it is a huge savings to me.įrom just skimming that that first page, I would bet you lunch at your favorite restaurant that it is written by a German.Īnyway, without researching this further, I will assume that there is a diminishing returns value(that our German reviewer does not acknowledge). It's a savings in time, in set up, materials cost, and clean up. Scanning them and working on them in PS gives me a good idea of whether or not they are worth the effort, and gives me a good idea of what I need to work on at the enlarger.

I am not going to buy a scanner the price of a used car, or a new digital camera to scan film and print it. They are scanning in at 200 times the data than is needed. PNet allows 700px by 700px images(which is a nominal web size), and my scans are coming in at 14,000+ per side. The scanned file sizes are huge at full scan. I did not mean that scans of '120 are pretty good for the web' they way that you are replying. I am going to wet print them if they are going to be printed. I have no interest in, or need to, printing scanned negatives. I would even bet that you could see film grain, long before you see scan lines. I don't know, but I doubt it without testing, I would assume that a 35 negative scanned at high settings would output rather well to a 300 dpi 8x10 lab print. If you are blowing the 35 up to same size print as the 120, your 8.5x11 for example, you may be seeing differences.

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